requestId:684c3e08086944.50418369.
“National Style” and the Southern Regional Civilization of Ages
Author: “History Research” 2018 No. 4
Time: Confucius was in the 25th 70th 2011 Jiawu
However, the regional civilization study of “National Style” has never been able to touch on its relationship with the basic customs. Compared with “Chu Yan”, “National Style” shows the divergence of civilized style. This comparison is often understood as the style of Chu is unique, the people believe in ghosts and witches; the south is like a whole, and the common people are more likely to be of style. The 15th “National Style” spans many areas from the west to Shandong today. No local customs and religious worship can be seen without their own differences, but these characteristics are not expressed in “National Style”. The reason for this is that it has something to do with the civilization traditions of the southern feudal states. In other words, the southern feudal states value patriarchal law, with elegant language, and rejecting the strange powers and gods in the world. Although “National Style” has left the hall and sang the joys and sorrows of daily life, it still continues the tradition of elegant language civilization.
Keywords: Multiple Regional Civilization Style
Author Introduction: Yang Shi’an, taught by Nanjing Major Historical Academy.
The “Pennial Scene” has fifteen “National Style”, and the area involved spans the southern vast area. Modern Chinese scholars have noticed the regional characteristics of “National Style”. Modern academic research has further improved the understanding of this problem, but for some of the basic situations, we may now think from the beginning to the starting point. For example, at what level does “National Style” express their respective regional civilizations? Regional civilizations can be divided into different levels. The upper level society has a civilized style and interest structured by political traditions and differences in geopolitical environments, and is also a regional civilization. But the customs and worship of the indigenous people can better express the soul of their lives. So far, the academic community’s “National Style” regional civilization researchers have summarized the poem characteristics of the “National Style” in various countries, which are roughly the style of the upper-level noble civilization. So does “National Style” express the civilized civilization in the common sense, and if so, at what level does this civilized civilization show? These are all problems that need to be studied from the beginning.
From the modern Chinese era, scholars have always had a directional understanding, that is, they believe that compared with “Chu Ru”, “Guo Feng” has a holistic style, which extends the so-called “Guo Feng” and “Tree” to address the problem. This insight still occupies the mainstream position in the modern academic world. This can express one fact that although “National Style” has regional characteristics, it is more important to its divergence in the style of civilization. Why does the 15th “National Style” have different regional characteristics, and the basic civilization style shows divergence?It is a problem with profound connotation. Since the stone age, the Guang area in southern China has nurtured different customs and worship. The early and mid-year period was the era when “The Style of the People”. At that time, the author of the noble verses walked out of the hall and used the poems to express personal emotions in daily life, expressing the political style and regional characteristics of different places. On the other hand, they seemed to be influenced by the elegant and elegant civilization tradition of the southern noble verses, and rarely worshipped the customs of the nature of the people. Such a complicated situation, while also touching on the regional characteristics of “National Style” and the common customs civilization and the traditional civilization of the southern nobles, we need to conduct new thinking and exploration.
1. Questions faced by the Regional Civilization Research of “National Style”
We understand that the areas exposed to “National Style” are distributed from west to east as follows: “Qin” and “Bin” are in Gandong and Jinxizhong In the north, “Zhou Nan” and “Zhao Nan” are in southern Yuan to Hanshui and Changjiang, “Tang” and “Wei” are in central and southern Henan, “Wang” are in western Henan, “Zheng” and “Zhu” are in central and southern Henan, “Zheng”, “Zang” and “Hui” are in northern Henan and southern Hebei, “Chen” is in eastern Henan and western Anhui, “Cao” is in northeastern Henan, and “Zhi” is in central and northern Henan. Judging from the political geography of the early age, the above regions are divided into eight countries, ① distributed in the middle and lower reaches of the Huang River to the lower reaches, as well as the Hanshui and Huai Rivers.
The 15th “National Style” touches and broad areas, and is a lyric produced in a different region and a different social environment. Pre-Qin and two Han texts mentioned “National Style”, and sometimes they talked about style issues in different regions. The earliest example is that in “Zuo Ji Duke”, Ji Zha discussed music from various countries in Han Dynasty, including comments on poems. ② “Mao Poetry Preface” (hereinafter referred to as “Pen Song”) defines “style” as education and etiquette, but when talking about style and etiquette, it is said: “Therefore, the affairs of a country are based on one person and the style; when talking about things in the country, they form the style of the four directions, and the elegance of the four directions.” ③ Elegance is the correct sound of the whole country, and the style of the whole country is the sound of the whole country, which means that it has regional characteristics. However, the regional characteristics of the predecessors’ 15th “National Style” are based on the differences in political traditions across the country. Whether it is Ji Zha’s commentary or “Praise” that “the affairs of a country are based on one person and the style of a person” are all about political style. The “Han Book·Graduate Records” is more rich, sometimes talking about the environment and style of life, and it is also important to talk about the political traditions of various places.
In “People” in the modern academic community, in the past few decades, we have begun to pay attention to the regional civilization characteristics of “National Style”. In his special work on reviewing the history of the 20th Century “People” discussion, Zhao Peilin opened up the chapter “Civilization Ideology and “People” discussion”, pointing out that since the 1980s and 1990s, the “People” discussion began to focus on the perspective of civilization and pay attention to the regional civilization characteristics that differed from the 15th Century “National Style”. As quoted in this chapter, Xu Zhi, “The Psychological Brief”, believes that the 15th “National Style” was influenced by the Zhou Dynasty’s Rongle civilization and the level of differences between regional civilization and tribal civilization. Among them, “Zhou” and “Zhao” were greatly influenced by the Rongle civilization.Qi”, “Tang”, “Cao”, and “Hui” are influenced by the mixed feelings of the tribute civilization and tribal civilization, while the style of “Hui” is affected by the local traditional Shang civilization. ④ Such research, beyond the field of predecessors, and noting that the differences in the 15th “National Style” are not only political traditions, but also civilized problems. There are many similar works that discuss “Pen Shu”, and all the works that discuss “Pen Shu” will be advanced by regional civilization to explain the characteristics of “Pen Shu” poems from various countries. At the same time, there are many single essays that take the characteristics of the regional civilization of the “National Style” as the topic, either discussing or discussing a certain country. All of this type are a hot issue in the “People” discussion over the past thirty years.
So far, the discussion on regional civilization in “National Style” has achieved many achievements. Students summarize the regional civilization characteristics of the “National Style” from various aspects, such as “Binfeng” focusing on agriculture, “Qinfeng” being generous and martial, “Chenfeng” being mysterious and romantic, “Zhenfeng” being passionate and bold, “Zhenfeng” being luxurious, and so on. The differences among the various schools have been expressed on the other h
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